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‘The King’s Speech’ Reigns Victorious

Christian Bale, Natalie Portman, Melissa Leo and Colin Firth

Christian Bale, Natalie Portman, Melissa Leo and Colin Firth, winners of the acting awards at the Feb. 27 Oscars (Courtesy DVIDSHUB)

It was the beginning of September when I first heard of “The King’s Speech.” I was in a chocolate shop in Telluride, Colo., looking at truffles, when a man struck up a conversation with my parents and me. He was in town for the annual film festival.

“So what’s the best film you’ve seen?” we asked him.

“The King’s Speech,” he said without hesitation. He was moved by it, and of all the films at the festival, he put his confidence in the success of the Colin Firth/Geoffrey Rush/Helena Bonham Carter-driven British import. I needed to see it.

Four months later it hit the big screen in my area. I paid $4 to see an early show at a theater where the rooms have ceiling fans, the sixth row back feels like the first and the film pops from continuous play. A few other ladies had decided “The King’s Speech” was worth a viewing. I was the youngest person in the audience.

I left the theater with blurry eyes. I cried for the last 10 minutes where King George VI – played by Firth in a now Oscar-winning role – gives a radio broadcasted speech at the start of WWII. Like the man in the Colorado chocolate store, I was moved by the inspirational story of conquering a very personal issue (the king stammers) in a very public role (he is the King of the United Kingdom, after all).

At Sunday’s ultimate celebration of 2010’s greatest cinematic achievements, hosted by James Franco and Anne Hathaway, “The King’s Speech” reigned victorious. With big wins for leading actor, directing, original screenplay and best picture, September and the first mention of this film seem a long time ago.

While the ripples from the earthquake near Conway minutes after the show’s end was likely the most shocking event of the evening, Tom Hooper did manage an upset in the directing category for “The King’s Speech.” David Fincher was expected to take home the statue for his work on “The Social Network.” Then again most of us were also calling “Network” the best movie of the year until “Speech” swept the top prizes at the guild awards.

The most entertaining award presentation of the night, and perhaps the most awkward, was that for supporting actress. Kirk Douglas brought the wholesome comedic relief a show like the Oscars needs.

A 94-year-old man calling Hathaway gorgeous and telling category winner Melissa Leo, “You’re much more beautiful than you were in ‘The Fighter,'” is both sweet and strange. And dragging out the announcement of the golden statue recipient was a genius move in the night’s most anticipated and hard-to-call category. It’s too bad it came so early in the evening.

Leo had been the front-runner until she distributed what many thought to be tasteless ads asking the Academy to consider her for the award. That’s when the adorable Hailee Steinfeld gained momentum. And while the 14-year-old’s first feature film performance in “True Grit” was excellent, I’m glad the voters looked at Leo’s more polished work and not her misstep with the media.

Hosts Franco and Hathaway took a hit from the media following their so-so turn as Oscar emcees. Both of them have twice hosted “Saturday Night Live.” They were enjoyable, funny episodes. But there’s a difference between a 90-minute sketch show where the host plays an array of characters and a 3-hour awards presentation where the host plays his or herself.

It would be terrifying to be in front of your most accomplished peers and the ever-critical world, hoping to entertain and gain acceptance by all. Franco and Hathaway have yet to hit the level of respect the acting and viewing community has for entertainers and past hosts like Alec Baldwin, Steve Martin and Whoopi Goldberg, just to name a few.

In a year where the Academy’s producers insisted on tailoring the show to a more youthful audience, it’s ironic to see the younger generation’s “The Social Network” fall to the older audience’s “The King’s Speech.” It just goes to show the Academy’s voters choose the best – not the most popular – candidate, as they should.

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Filed under: Academy Awards, Colorado, Entertainment, Hollywood, Movies, Oscars, , , , , , , , , , , , , , , , , , , , , , , , , ,

Oscars: Celebrating the best of 2010

I have the jitters and I can’t blame it on the caffeine. I just started my large vanilla almond black tea at Arsaga’s in Springdale and it’ll take at least 30 minutes for that to kick in. It must be that once-a-year feeling I get, usually in February but last year in March. Time for the Academy Awards!

This year, seeing as how I am no longer occupied with school, I’ve had more time than ever to really dive into the awards season and the build-up to the biggest night in Hollywood. The categories have no big changes (no 20 Best Pictures or 12 Original Songs, thank goodness!) but the announcements of the winners will most likely keep us on our toes. So we should dive right into the predictions, right?

Best Picture

Colin Firth in "The King's Speech"

Courtesy The Weinstein Company

Remember when there were only five nominees in this category? Last year’s switch to 10 pictures was lackluster, with several films in the running that really weren’t the best of the year. The difference this time: All the movies deserve the nods they received, and I argue that “The Town” should have been included. The only film I didn’t see was “127 Hours,” but I’m sure it belongs (and I can make a sound judgment March 1 when it’s released on DVD).

The film that resonated most with me was “The Fighter.” I can’t stop thinking about it and I saw it a month ago. “The Social Network” was the best film of the year when I saw it in December. But “The King’s Speech” will come away with the win because it is a solid story with spot-on acting. The color palette is beautiful and I cried for the last 10 minutes. That’s not always a sure sign of a winner but look at it this way: I cried watching “Slumdog Millionaire” and “The Hurt Locker” and they won Best Picture.

Will win: The King’s Speech

Should win: The King’s Speech

Achievement in Directing

David Fincher illustration

Courtesy Charis Tsevis

This six-man race is tight, and I say six-man because of the ever-present Oscar nominees Joel and Ethan Coen. Obviously all the directors made lovely films. I enjoyed each one. But the one director who turned a story about a website into a tale of deceit, lost friendships and the rise to the top of the Internet world was David Fincher for “The Social Network.” This could have been a boring film but it wasn’t, thank in part to Aaron Sorkin’s (Oscar-winning?) adapted screenplay. Mostly, though, it was the decisions Fincher made behind the camera that make this film deserving of recognition.

Will win: David Fincher

Should win: Christopher Nolan … snub of the century.

Best Performance by an Actor/Actress, Leading and Supporting Roles

Melissa Leo

Courtesy David Shankbone

I don’t see any surprises on the horizon, so expect the Leading Role awards to go to Colin Firth and Natalie Portman, respectively. I’d also be shocked if Christian Bale loses Supporting Actor. While some people are down on his over-the-top portrayal of non-fictional Dicky Eklund in “The Fighter,” let it be known that Bale was actually mistaken as the real Dicky while filming on location in Massachusetts. He knows exactly what he’s doing (like Lady Gaga).

However, since Melissa Leo tested out some “pimp” tactics to try to win Academy votes, her lead has shrunk. Will the voters ignore her misstep and look to her heavy but perfect performance in “The Fighter?” Or will the Oscar go to 14-year-old Hailee Steinfeld, a charming, fresh-faced newcomer with acting chops? I hope Leo gets it for the sole reason that Steinfeld has many years ahead of her to perfect her craft, while Leo was there in 2008’s “Frozen River” but lost to Kate Winslet (and it was indeed Winslet’s time).

Will win: Melissa Leo

Should win: Melissa Leo

The rest of the soon-to-be best:

Animated Feature Film: Toy Story 3”

Art Direction: Alice in Wonderland”

Cinematography: True Grit”

Costume Design: Alice in Wonderland”

Alice In Wonderland

Courtesy Rafael Poveda

Documentary (Feature): Restrepo”

Documentary (Short Subject): Killing in the Name”

Film Editing: The King’s Speech”

Foreign Language Film: In a Better World” Denmark

Makeup: The Wolfman”

Music (Original Score): The Social Network”

Music (Original Song): We Belong Together” from “Toy Story 3″

Toy Story 3

Courtesy Jerrod Maruyama

Short Film (Animated): Madagascar, carnet de voyage (Madagascar, a Journey Diary)”

Short Film (Live Action): The Confession”

Sound Editing: Inception”

Sound Mixing: The King’s Speech”

Visual Effects: Inception”

Writing (Adapted Screenplay): The Social Network”

Writing (Original Screenplay): Inception”

Inception, Lego style

Courtesy Alex Eyler

Filed under: Academy Awards, Entertainment, Hollywood, Movies, Oscars, , , , , , , , , , , , , , , , , , , , , , , , , ,

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